Read "Postlude" at The Eldritch Dark:
This poem from Clark Ashton Smith (CAS) revisits his common theme of ruminating on a past romance. I think "Postlude" is one of the better examples of this sort of verse from CAS, since he uses the connection between two people as a metaphor for larger concerns about the place of the individual within human society:
Nothing remains for me, save the spent echoes
Of words we said in falcon-hovered places.
From a technical point of view, there are a couple of effective uses of repetition, creating slight refrains that reinforce the musical character implied by the poem's title:
- Third stanza: "O tryst too long delayed, too long denied!"
- Fourth stanza: "Empty the forest now, empty the stream;"
Although there are just two such occurrences of repetition in a twelve-line poem, CAS plants them strategically at the opening of each of the last two stanzas, giving the reading a rhythmic uplift as it comes to a close. These small but careful uses of literary devices seem to be characteristic of CAS' very best verses, a group into which I place "Postlude".